Sunday, 30 September 2012

Jane's secret remedy

Daily News and Analysis reviews Jane Eyre Laid Bare.
Just a page into the novel, we see Jane Eyre, at the tender age of 18, en route to Thornfield Hall where she will be governess to one young Adèle Varens. How does she deal with the tedium of a journey in solitude? By positioning herself over the wooden handle of the carriage for a quick orgasm — her “secret remedy to alleviate the disquiet of the mind”.
Smile at the turn of phrase or applaud Jane’s ingenuity, but don’t hope for a joy ride. The overdose of mindless sex in the book could numb your brain. This book is one among many that merit writer Ambrose Bierce’s remark — “The covers of this book are too far apart.”
In Jane Eyre Laid Bare, author Eve Sinclair takes off from the undertones and whiffs of sexual tension with which Charlotte Brontë had carefully nuanced the original Jane Eyre. On the walls of Thornfield Hall hang tapestries of men and women, gods and mermaids copulating. There are explicit paintings, statues and effigies of “strange flowers, strange birds and the strangest human beings in contorted positions”.
In her initial quiet months at the Hall, before Rochester makes his appearance, Jane’s “sole relief” is to walk along the corridors and arouse herself by gazing at these works of art as preparation for her secret remedy. Brontë’s Jane, extremely passionate and also devout, struggled to walk the middle path between righteous morality and passion.
For Sinclair’s Jane, carnal pleasures easily win the battle. She junks her conscience casually and feels that “it is in vain to say human beings ought to be satisfied with tranquillity. They must have action and they will make it if they cannot find it.” And there’s plenty of action to be found at Thornfield Hall.
Rochester is portrayed as a man inclined to indulge in vices even in the original novel, although Brontë hadn’t elaborated upon them. Sinclair’s Rochester is more like a Caligula, the scandalous Roman emperor. Rochester and his friends — Lord Ingram and his two sisters, Blanche and Mary, Henry and Fredrick Lynn, Lady Fulbright, Miss Dupret, Captain Dent, Louisa and Amy Eshton and their brother — spend evenings playing sexual games.
Furtively, Jane watches them from behind curtains and longs for a chance to put what she sees into practice. Her tendency to play peeping tom rewards her with more sources of arousal than what may be seen in Rochester’s art collection —there’s incest, lesbian lovemaking, a maid and butler adding a predictable dimension to the chore of making the bed, threesomes, foursomes and more. (Malavika Velayanikal)
El Norte (in Spanish) also comments on the 'sexing up the classics' phenomenon.

The New Yorker reviews Wuthering Heights 2011 but unfortunately the content is for subscribers only. Mauxa (in Italian) comments on how the 19th-century seems to be in vogue on screen, using Jane Eyre 2011 as an example (sadly with a typo about the year in which the novel was published: 1874 instead of 1847). Terra Perú (in Spanish) uses the same adaptation to comment on the Paris Fashion Week.
Es la segunda temporada que el "prêt-à-porter" de Hexa by Kuho desfila en la capital francesa y, en la colección presentada hoy, la marca ha apostado por revisitar los modelos del siglo XIX de la película "Jane Eyre" (2011), de Cary Fukunaga, basada en la novela de Charlotte Brontë.
El coreano Kuho Jung imagina una era victoriana con vestidos cortos, mangas abullonadas y pantalones abultados a la altura de la pelvis, todo ello en tonos crema, salmón, burdeos o turquesa. (Translation)
Hometown Life mentions the PBS tradition of broadcasting novel adaptations:
PBS has a long history with using novels for its programming. Current shows that are airing on the Masterpiece/Mystery series include Wallander (H. Mankell) and Inspector Lewis (C. Dexter). Agatha Christie's Miss Marple and Hercule Poirot as well as Sherlock Holmes by Sir Arthur Conan Doyle have been staples on public television. Popular mini-series have been adapted from Jane Austen, Charles Dickens and the Bronte sisters.
The Brontë Parsonage Blog has a contribution from a reader on the possible threat to Haworth's Green Belt Land. The Briarfield Chronicles discusses whether the Brontës were translators or composers. Anne Brontë is the writer of the month on Vintage Reads while Agnes Grey is the book of the month on Sognatrice a bordo (in Italian). Read Awesome-Nity is reading Jane Eyre and loving it while Fantastiska berättelser posts in Swedish about the Classical Comics adaptation of the novel. Butterfly-o-Meter Books reviews and gives 4 butterflies to Tina Connolly's Ironskin. Poems & Perceptions has written a poem called 'Jane Eyre to Edward Rochester' and Flickr user Yannewvision has drawn a lovely portrait of Helen Burns in the 2006 adaptation of Jane Eyre.

Pinterest Scavenger Hunt Has Begun

Do you love Pinterest?
Do you love Scavenger Hunts?
What about Giveaways?

If any or all of those describe you, then welcome to the:


Welcome to the Fall Pinterest Scavenger Hunt and Giveaway!
Pin to Win one of five prize packages 
with a total value over $275!

Hosted by ArahBellas, All Done Monkey, and Just a Little Creativity


Here's how to Play-
  • Create a new Pinterest board specifically for this Scavenger Hunt
  • Each day, a new clue will be revealed on the Host blogs as well as the Rafflecopter entry form. With the clue, a link will be provided to the blog with the photo to be pinned.
  • To be eligible to win, you must pin a photo from each clue provided
  • There are also many additional ways to earn extra entries, so be sure to give them a try!

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Coilbound Documenting Book from Paper Coterie (Up to $32 value)

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Fall Scavenger Hunt

This blog is not responsible for prize redemption, and was not compensated for participating in this sweepstakes.

New Episode: StereoTypes - "Gimme the Loot"

 

 

Were you taught the value of money? Do you sock it away for a rainy day or use to buy jewels for your honey? We get the skinny on what folks like to do with their penny.

Alice Walker on 30th Anniversary of 'The Color Purple'




On the 30th anniversary of the publication of "The Color Purple," we speak with author, poet and activist Alice Walker about her groundbreaking novel and its enduring legacy. Set mainly in rural Georgia in the 1930s, the book tells the story of a young, poor African-American woman named Celie and her struggle for empowerment in a world marked by sexism, racism, and patriarchy. The novel earned Walker a Pulitzer Price in 1983, making her the first African-American woman to win the Pulitzer for fiction. Walker explains the origin of the book's title and explores some of its central characters and their connection to her own family history.

:@IssaRae Presents - "Roomieloverfriends" | Ep. 4




Episode 4: "F*ck You, Jay!" - Tamiko and Jayson have a showdown.

"Roomieloverfriends" is a BLACK&SEXY.TV production @blackandsexytv
New episode now every OTHER Saturday @http://youtube.com/issarae
http://twitter.com/roomielover
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Sunday Photo Round Up (Scavenger Hunt Sunday & You Capture) September 30, 2012




Yay, I'm getting this posted on Sunday!
(No comments this week. I will just let the pictures speak for themselves.)

This week's prompts:
Yellow, Getting Ready, Bright, Teeny Tiny, Connections

Yellow


Getting Ready 

Bright


 Teeny Tiny

Connections


Now on to You Capture:

Photobucket

Something You Love



 And linking up my favorite photo:

(Okay, one little comment. I wanted to have a little photo shoot with the children today. I am trying to create a new button for my blog, not sure if I want to use a picture or not. But I know I have to change my header to include Harold. I really loved this shot of the girls hugging. I had to take Harold out of the shot first though, because no one would have been holding on to him.)

with:

Happily Mother After



Give me your best shot at Better in BulkPhotoStory Friday
Hosted by Cecily and Lolli




Brontë Society Gazette. Issue 58

The latest issue of The Brontë Society Gazette is now out (Issue 58. September 2012. ISSN 1344-5940).
ARTICLES
Letter from the Editor by Helen Krispien
Letter from the Chairman by Sally McDonald, Chairman of Council.
Haworth, a little piece of heaven on earth (or how a dream came true after fifty years by Jean De Wolf
Excursion to Dewsbury Minster and Red House on Tuesday 12 June by Helen MacEwan
Experts follow the Brontës from Northern England to Brussels by Helen MacEwan
It's all about words by Leslie McDonald
Poetry Corner: Parsonage Pilgrims by Sarah Elizabeth Griffiths
Yorkshire Day with Baroness Andrews by Sally McDonald, Chairman of Council
The Brontë Society Spring Walk 2012 by Margaret Berry, Membership Committee/Co-opted
Membership News:  Synopsis of the Brontë Society of Japan Conference; Shirley Country and Red House Museum by Imelda Marsden, Life Member of the Brontë Society;
Annual Literary Luncheon by Susan Aykroyd
The Strength of Agnes Grey by Charlene Aubry
Being Charlotte by Megan Groom, Age 14
Heading back to the 1940s... by Helen Gallico

Poverty, Youth Violence and the Anniversary of The Occupy Movement on October 1st Left of Black


Poverty, Youth Violence and the Anniversary of The Occupy Movement on October 1st Left of Black

As the 2012 Presidential Election season went into high gear, several issues, notably the poverty rate in the United States and the apparent rise of youth violence in American cities like Chicago, were nowhere to be found on the agendas and talking points of either Presidential candidate.

With the anniversary of the Occupy Movement as backdrop, journalists Rahiel Tesfamariam and Mychal Denzel Smithjoin Left of Black via Skype, to discuss these and other issues, including Jay Z’s dismissive remarks about the goals of The Occupy Movement and Mitt Romney’s now infamous comments about the so-called “47%.”

Tesfamariam is founder & Editorial Director of the on-line magazine Urban Cusp and a blogger and columnist for The Washington Post and The Root DC, and Smith is a freelance writer, social commentator, and mental health advocate whose work has been seen at The AtlanticThe NationThe Guardian, EbonyHuffington Post, The Root and The Grio.
***

Left of Black airs at 1:30 p.m. (EST) on Mondays on the Ustream channel: http://tinyurl.com/LeftofBlackhttp://tinyurl.com/LeftofBlack. Viewers are invited to participate in a Twitter conversation with Neal and featured guests while the show airs using hash tags #LeftofBlack or #dukelive. 

Left of Black is recorded and produced at the John Hope Franklin Center of International and Interdisciplinary Studies at Duke University.

***

Follow Left of Black on Twitter: @LeftofBlack
Follow Mark Anthony Neal on Twitter: @NewBlackMan
Follow Rahiel Tesfamariam on Twitter: @RahielT
Follow Mychal Denzel Smith on Twitter: @mychalsmith

The scissors were not Brontë's

The eternal controversy between novels and their film adaptations is discussed on Varsity, with special attention to Wuthering Heights 2011:
Something fitting more firmly into the ‘controversial’ category would be Andrea Arnold’s version of Wuthering Heights. The film had a number of Brontë purists splurting tea into their bonnets at the liberties Arnold took with the story; at one stage having Heathcliff (cast as black) tell the assembled guests of the Earnshaw household to “Fuck off, you cunts.” However, the choices Arnold made in her adaptation are indicative of a provocative filmmaker, who knows which contemporary buttons to press. Her casting of Heathcliff as black, and having a grim kitchen-sink drama feel to the Earnshaw family lends some sort of modern relevance, and breaking free from the stereotypical adaptation. In addition, her realisation of location in Wuthering Heights is simply fantastic, the sound and cinematography bringing the moors and landscape in as a character itself. Far from taking excessive liberties with the story as perceived, she should be applauded for a vision that is both evocative and belligerent, offering something beyond the brand name of a classic novel. (Jim Ross)
Denver Post discusses several TV series where
The hero with a deep, character-defining secret is not what he seems. (...)
The concept of a character with an all-consuming secret is a time-tested one in literature. (...)
Eleanor McNees, a University of Denver associate dean and professor of languages and literature, notes Charles Dickens wrote about "deep, dark secrets of identity" in "A Tale of Two Cities" and in "Great Expectations."
McNees also points to "Jane Eyre," in which Charlotte Bronte toys with the mystery of the madwoman in the attic, and "The Great Gatsby," in which Fitzgerald's Nick changes his name from humble beginnings in Minnesota and passes himself off as rich. (Joanne Ostrow)
The Nashua Telegraph interviews the writer Eric Stanway:
Name some of your favorite books and authors. Ulysses” by James Joyce, “A Clockwork Orange” by Anthony Burgess, “Dracula” by Bram Stoker, “1984” by George Orwell, “A Tale of Two Cities” by Charles Dickens, “Wuthering Heights” by Emily Brontë. (Donna Roberson)
Another Brontëite of sorts is the novelist Betty Cotter:
Top Item in My Bucket List. Visiting England, Ireland and Wales. My husband is Irish and I’m Welsh and English, going back many generations. I’d like to visit all of England’s great author sites, including the homes of Dickens, the Brontës, and Virginia Woolf. (The Westerly Sun)
The Knoxville Sentinel reviews The Little Bookstore of Big Stone Gap by Wendy Welch:
Welch has written a warm and affectionate paean to the love of books and the highs and lows of bookstore ownership. Incorporating quotations by prominent book lovers from Oscar Wilde to Dr. Seuss, the Dalai Lama to Charlotte Brontë, Welch tells her story with easy, self-deprecating grace in chapters with titles such as "How to Be Attacked by Your Heart's Desire" and "What Happens in the Bookstore Stays in the Bookstore." Welch is the first to admit that owning a bookstore has been a bumpy ride, but it's one that neither she nor Beck would trade: "In the midst of having very little time to do as we like," she writes, "we very much like what we are doing." (Tina LoTufo)
The Times interviews JK Rowling and asks with which writer she would like to have dinner:
Oh, and I discounted Jane Austen, who is on some days my favourite author of all time, because I think she’d be a bit scary. Was it Emily Brontë who said she had a mind like a small pair of scissors? (Erica Wagner)
Actually, it was Harold Nicolson who described Jane Austen's mind like a very small, sharp pair of scissors.

Also in The Times we find a list of places to go in autumn.  Such as East Riddlesden Hall:
The hall has been used as a location for two different film versions of Wuthering Heights and is said to be haunted by more than one ghost. (Rufus Purdy)
The Toronto Sun defines in a few words the new NBC project Napa:
NBC's upcoming show, Napa, will be a modern take on Wuthering Heights Less of the mysterious, lingering wasting illnesses, more smokin' hot, shirt-less grape-stompers. (Malene Arpe)
Aš skaitau (in Lithuanian) reviews Wuthering Heights; Read Awesome-Nity is reading Jane Eyre; Danyele Bueno (in Portuguese) reviews Juliet Gael's Romancing Miss Brontë; Ygraine posts a Jane Eyre-inspired poem; ellenőrzőpont.(in Hungarian) posts about Jane Eyre 2011.

Saturday, 29 September 2012

All Wuthering

Delcourt has just released the Yann and Édith's Wuthering Heights adaptation in a single volume (you can read  our reviews of the first editions of the two volumes here and here):
Les Hauts de Hurlevent, d'Emily Brontë - Intégrale
Date de parution : 19/09/2012
ISBN : 978-2-7560-3366-2
Scénario : YANN
Dessin : ÉDITH
Couleurs : ÉDITH
Delcourt
Collection : EX-LIBRIS
A Puffin Books edition of Wuthering Heights:

Wuthering Heights (Be Classics)
Emily Brontë
Paperback: 322 pages
Publisher: Puffin Books; Reprint edition (13 Sep 2012)
ISBN-13: 978-0142423295

And a tie-in edition:
Wuthering Heights
Emily Brontë
Paperback: 352 pages
Publisher: Penguin Books; Mti edition (September 26, 2012)
ISBN-13: 978-0143123101

Free Sign Ups for the Sneaky Snacky Squirrel Giveaway

FREE BLOGGER OPP!
(Giveaway dates: October 13-27)

I am looking for some bloggers to help me promote my giveaway for Educational Insights game Sneaky Snacky Squirrel



The winner of the giveaway will win their very own Sneaky Snacky Squirrel game thanks to Educational Insights (valued at $21.99). I received the Sneaky Snacky Squirrel Game pictured above for review. Seems like it is a hit in our home!
Stay tuned for the review.
This post is for bloggers who are interested in helping me promote this giveaway in exchange for a Facebook link on the Rafflecopter form. In addition, if you share about this opportunity you will get a Twitter link as well. There is no fee to participate, just a promise to post the giveaway with Rafflecopter when it goes live and sharing about the giveaway a few times in the two week time period the giveaway is live (beginning, middle and end).  If you would like to join me head over and link up. I am accepting sign-ups until October 10th!

In addition, the blogger who refers the most people will get to host a like or follow page (If I have enough interest there will be the opportunity for more people to host).  Hosting a page is great for traffic to your blog, so share away.

Where Thelonious Monk overhears conversations

The New York Times is warming up for the premiere of Wuthering Heights 2011 in the US next Friday with this interesting article where they talk with Hila Shachar (author of the recent book Cultural Afterlives and Screen Adaptations of Classic Literature: Wuthering Heights and Company), Peter Booker (writer of the latest Wuthering Heights TV adaptation in 2009) and Charmian Knight, a lecturer, writer and member of the Brontë Society. We strongly recommend reading it:
With more than a dozen film versions, Emily Brontë’ s “Wuthering Heights” is something of a cultural touchstone for ill-fated love. The title alone conjures up images of a brooding Heathcliff and a delicate Cathy clinging to each other or suffering alone on the Yorkshire moors. For many fans, the characters are synonymous with Laurence Olivier and Merle Oberon in the 1939 movie. And yet, at least when it comes to screen adaptations, the novel may be the most misunderstood book of all time.
“I think it’s developed a cultural mythology, sort of like ‘Romeo and Juliet,’ but there are so many other plotlines,” said Hila Shachar, author of “Cultural Afterlives and Screen Adaptations of Classic Literature: Wuthering Heights and Company .” The love story is appealing as myth, she continued, “but why do we remember it as a love story?” (...)
“Brontë’s book is not Romanticism — it’s a harsh and brutal book,” Ms. Shachar said by phone from Perth, where she is a professor at Western Australia University. “When you read the reviews from that time, critics called it savage, and they criticized it even more when they found out it was written by a woman. But we’ve turned it into a romance, because that suits us.” (...)
The fact that “Wuthering Heights” is so adaptable heartens some scholars, who celebrate the novel’s messiness and survival in popular culture nearly 200 years after baffling readers and critics.
“My view is that you cannot spoil a classic text, because it’s a renewable resource,” said Charmian Knight, a lecturer, writer and member of the Brontë Society who happens to be a longtime Yorkshire resident. “Every reading is sort of a new work of art and a new reconstruction of the text, and ‘Wuthering Heights’ has a huge extended life outside of its pages.” (...)
“We can’t trust those voices because they’re all characters with their own agenda,” Ms. Knight said. “With Dickens or Charlotte Brontë or other 19th-century writers, you’re with a safe driver and are told the truth. With Emily Brontë, you’re overhearing conversations and don’t know what to believe.”
For all these reasons, it’s understandable that Samuel Goldwyn, who produced the 1939 version (and considered it one of his greatest achievements as a Hollywood producer), reportedly wanted the novel reworked as “a story of undying love that transcends the gloomy nature of its backgrounds.”
For Mr. Bowker, the gloom and the background were part of the challenge.
“It’s like being a jazz musician trying to adapt Thelonious Monk because it’s so crazy in its structure,” he said. “It’s brilliant, but trying to do a cover version of it is almost impossible.” (David Belcher)
The Oregonian is interested in the film as well:
The new preview for "Heights" shows that unconventional casting and a moody score featuring the band Mumford & Sons  will make this unlike other adaptations of the romantic drama.  (Grant Butler)
And The Epoch Times recommends it:
Nevertheless, the pressure of nature, indicated remarkably by the excellent, often handheld, camerawork of Robbie Ryan, plus Nicolas Becker’s vibrant soundtrack that presents barking dogs, wind, rain, flapping shutters, and more, show the basic helplessness of man against the elements.
Andrea Arnold’s is an interesting take on this ever-compelling classic, far different from the better-known William Wyler-Sam Goldwyn production of 1939, which starred Merle Oberon and Laurence Olivier.  (Diana Barth)
Even The Malaysian Insider has something to say:
Famous books by Charles Dickens like “Great Expectations” and “Oliver Twist” have seen at least two major movie adaptations, and the Brontë sisters are even more in vogue now with “Jane Eyre” and “Wuthering Heights” getting movie adaptations that can only be described as “modern” (as in modernist films, not films set in the modern day), especially the latest adaptations by Cary Fukunaga and Andrea Arnold respectively. (Aidil Rusli)
And moviepilot (Germany), CinemaBlend's Operation Kino,

Curiously, the NewYork Times also runs a story featuring Wuthering Heights with a sense of humour:
He wasn’t alone in channeling a juvenile fantasy. I had organized our vacation around a much-anticipated rendezvous with my adolescent crush: Heathcliff of “Wuthering Heights.” I had fallen for him in 1970 after seeing the film version of Emily Brontë’s novel at my childhood cineplex in Peabody, Mass.
It starred Timothy Dalton, who in his pre-Bond days stalked the rain-swept moors howling for his beloved Cathy. So what if he was sadistic and probably psychotic? This was a man who would love you until the end of time, or at least the end of the credits.
I tried to explain their convoluted romance to my husband over Emma [the GPS unit]’s excessive chattering, but he was in thrall to her British accent and computerized lisp.
“Isn’t she amazing?” he said as she navigated another mazelike roundabout.
“I was telling you about Heathcliff.”
“He sounds nuts.”
“At least he’s real,” I replied, which technically wasn’t true, but in comparison to Emma’s disembodied voice, he held a slight edge. “Can’t we please turn her off? She’s giving me a headache.”
“Then you drive.” (...)
[My husband]  had a conference call for work and needed to be back at the hotel by late afternoon. Perfectly reasonable, except it was our last day to visit Brontë Country.
“But I’ll die if I don’t see the moors,” I said, picturing Heathcliff’s brooding face against a gnarled and craggy landscape.
“Well, O.K.,” he said.
It was a long drive, but Emma was her usual exemplary self, getting us to Brontë’s hometown, Haworth, without a glitch. En route, we passed plenty of what I imagined were dales, but no moors.
“Do you know the difference?” my husband asked.
I had to admit I didn’t, except in my mind, the moors came with Michel Legrand’s lush “Wuthering Heights” soundtrack and the dales with Emma’s grating voice.
Haworth was crowded and touristy. My husband wanted a traditional ploughman’s lunch at a pub, but we wound up at a deli drinking weak tea and eating rock-hard scones. The Brontë Parsonage Museum was an even bigger disappointment. It wasn’t even on the moors.
“This may sound stupid, but where are the moors?” I asked a woman.
She told us to follow the path behind the parsonage. We walked for a while but encountered only a bunch of sheep.
“We really should be getting back,” my husband warned.
I stopped an elderly man, who told us the moors were 10 minutes by car.
“I guess these are them,” I said when we finally arrived.
The barren land did look fairly wild, though nothing like in “Wuthering Heights.” My husband took a photo of me with my hair blowing in the wind.
“O.K., let’s go,” he said.
I begged him to let me have a few more minutes. I walked ahead alone. I had no idea what I was looking for. Did I expect Heathcliff to ride up on a black stallion, take me in his arms, and offer a life where we’d live forever and never have to drive? (Patricia Morrisroe))
An estate development in Olsztyn, Poland is also compared to Emily Brontë's novel:
Jak widać, jedni stawiają na luksus, przepych, elegancję i nawiązania historyczne. Inni z kolei, co nie dziwi w mieście ogrodzie, postanowili odwołać się do natury. I tak olsztynianie mogą zamieszkać np. na romantycznie brzmiącym Wichrowym Wzgórzu. Okazuje się, że okolice Jarot nie muszą wcale kojarzyć się z ponurymi blokowiskami, ale przy odrobinie wyobraźni w zachwaszczonych łąkach można dostrzec podobieństwo do dzikich pejzaży rodem z powieści Emily Brontë. Jeśli kogoś to nie satysfakcjonuje i obawia się, że na wzgórzu może być nieco wietrznie, może wybrać lokal na spokojnym Osiedlu Przylesie niedaleko ul. Jagiellońskiej.  (Marta Bełza, Magdalena Spiczak-Brzezińska in Gazeta Olsztyn) (Translation)
Dewsbury Reporter has an alert from Shirley country:
A fascinating guided walk celebrating the extraordinary life of Mary Taylor takes place this weekend.
Led by Helen’s Heritage Walks, those taking part will discover more about the pioneering early feminist who lived at Red House, Gomersal, in the early 19th century.
Mary was a close friend of Charlotte Brontë, and was immortalised as Rose Yorke in the author’s novel Shirley.
She refused to be bound by the traditional roles expected of middle-class women at that time and lived a uniquely independent life.
In 1845 she emigrated to New Zealand where she started a successful shop business. After returning to Gomersal in 1860 she spent 33 years writing and travelling.
She led tours of women mountain climbing in Europe and wrote radical feminist articles and books. Her novel Miss Miles was published in 1890.
The event is on Saturday and starts at Red House in Oxford Road, with a short guided tour around Mary’s old home which featured as Briarmains in Shirley.
Forbes talks about forgotten books:
This is not about “Moby Dick”, I assume you’ve read that or shame on you if you haven’t….Ditto for some familiarity with Dickens, Faulkner, Tolstoy, Balzac, Twain, Austen, Flaubert, Charlotte Brontë, and the pre-requisite to all, first modern novelist Miguel de Cervantes’ “Don Quixote”. (Richard Finger)
The Star-Telegram reviews the DVD release of Dark Shadows:
Although the show was often inadvertently humorous (largely because it seemed to have a budget of about $1.50), the intent -- with its story of the rich but haunted and trouble-plagued Collins family -- was to be some blend of Dracula and Wuthering Heights.
Denise Carter defines in The Cairns Post a perfect weekend:
I read a lot and really love literature. At the moment I’m reading a screenplay a friend gave me. I recently read Jane Eyre and then saw the movie. It was quite splendid.
Radio Nacional de Colombia features the writer Jaime Manrique, Brontëite:
“Yo amaba ‘Cumbres borrascosas’, y por eso quería ser una más de las hermanas Bronté (sic); y, como ellas, morir tuberculoso”, confiesa el autor residente en Nueva York, quien cada tanto regresa por Colombia.  (Translation
KatEye Studio posts some pictures of Brontë country;  The Life Edit has visited Haworth; Reawrite, Books before BedBibliophilic Monologues and My Guilty Obsession review Tina Connolly's Ironskin; The  Briarfield Chronicles analyses the moment when Lucy Snowe plays the part of a man in Villette; This Beautiful Mess has created a fanmix for Jane Eyre 2006; Beyond Paisley reviews Jane Eyre 1996; A New Yorker in Oslo loves Jane Eyre; not the same feeling that smeharbinger; Les Chroniques de Racines (in French) posts about Jane Eyre 2011.

Friday, 28 September 2012

All male Wuthering Heights

A curious Wuthering Heights approach opening today in Glasgow. An all-male version:
Peter McMaster: Wuthering Heightsas part of Arches LIVE 2012, Glasgow, UK
Sat 29 Sep 2012 | 2pm (open to men only) and 7pm

Featuring overly high drama, romantic violence, a touch of Yorkshire bleakness and a few alternative endings, this all-male performance revisits the landscapes and lives of the characters from Emily Brontë’s classic novel, focusing particularly on Heathcliff’s mysterious disappearance from the moors, and his subsequent return as ‘a man’.
Created in collaboration with Murray Wason, Chris Hall, Nick Anderson and Thom Scullion, this poignant new work explores their own experiences of what it means to be a man living in the world today.

On Peter McMaster's website we find more information:
Wuthering Heights, is an attempt to create an all male version of the classic Emily Brontë novel that was written in 1847. It is an ambitious, experimental and investigative piece of performance work that draws upon many themes and issues raised within Wuthering Heights the novel, and links them to post-modern personal experiences of masculinity. At its core the aim of the project is to develop a deep understanding of, and meaningful contribution to post-modern masculinist discourse by investigating the experiences of young men living today. It asks ‘how can we be exemplary men of the 21st Century? How can we transcend the dominant male stereotype? ’. The process of creation is in part an attempt to find new ways of living our lives as young men in the 21st century, based upon a process of profound reflection which takes place within the sacred space of a men's group, and personal and public action ending in a performance for the theatre.

Kids and a Mom in the Kitchen #26: Sugar Cookie Moons

Time for Kids and a Mom in the Kitchen
(A weekly linky where you can share your special time in the kitchen, such a great place for learning. You can also link up Kid-Friendly Recipes)
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The linky is at the bottom.

This week we completed our Mm Moon unit. We talked a little more about what the moon is made of, the craters on the moon plus talked about Moon Phases. Our recipe today comes from one of the books we read this week called, The Moon Might Be Milk by
Now, onto the recipe!

Sugar Cookie Moons

 Amelia read the ingredients for a change and even gathered some of them. She is getting so good at reading.

They were really anticipating making these cookies because they wanted to take some to our next door neighbors.

(They are constantly practicing snapping.)


We need:
2 cups flour
1 1/2 tsp baking powder
1/2 tsp salt
1/2 cup softened butter
1 cup sugar
1 egg
2 Tbs milk
1 tsp vanilla

First we combined the flour, baking powder and salt.
(I've been letting the girls do more on their own lately.)



Tabitha insisted I get a picture of them hugging.

Then we mixed the butter and sugar together.

I let them crack the egg, though we used a separate bowl so we could find any egg shell (there was 1 tiny piece).


Adding the egg, milk and vanilla.


And mixing it together.


Adding the dry ingredients to the wet ingredients and mixing well.




 Then we took rounded teaspoons of dough and rolled them into balls.


We greased the bottom of a glass and dipped it in sugar. This was used to press the cookies and give the moons a glittery appearance.






This recipe made a little over 2 dozen cookies. We took some to the next-door neighbor and plan to enjoy the rest.




They are quite good!

Do you have your children help you in the kitchen?  What lessons do they learn? Do you have any kid friendly recipes to share?
I'd love to see your posts, whether you have done something this week or some time in the past. Just link up below. This is a weekly linky.

I am linking up to:












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SixSistersStuff.com



Blog Post Hop

Growing Up Gardner

Happy Go Lucky


And here is my Kids and a Mom in the Kitchen linky